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Horses for courses

Equine Art

Summer is fading, and the kids are about to start back at school, including my youngest in her slightly too big pinafore and pristine white socks. I feel sad to see her go but it does mean I will now have five days a week to work, uninterrupted. Five days!! It’s been a long time since I had that. 
Horses have taken star billing this summer, kicking off with the Society of Equine Artists, who posted their selection at the end of July. I’m delighted that all three of mine got in, initallialy being exhibited at the Sally Mitchell Galleries and two were cherry picked to go onto the Osborne Studio Gallery in Knightsbridge for an exhibition of Equine art in September.

Espirito Gitano

Phaeton

The Midas Touch

I was hugely honoured to have the opportunity to go and photograph the “Golden Horse” Pearl of Peace at his yard, along with two other stallions. This extraordinary stallion is one of a kind, with an incredibly rare genetic combination that gives him his reflective, metallic gold colouring. He is still a youngster at three but such a character, and a real performer, clearly going to love the spotlight his life will entail! I am hoping to create a series of paintings from my time there, and will post progress on my FaceBook page.

Society of Wildlife Artists

I am currently framing “Monkey Business” in order to present it to the final selection for the society of wildlife Artists in mid September. I was pleased, and a bit surprised to have a piece accepted at the first round, as their emphasis seems to be heavily in favour of bird paintings, particularly those in a natural setting. Fingers crossed for the final round at the Mall Galleries!


So back to the grindstone in a few days, I’m looking forward to really getting my teeth into a new series, I feel as though I have been away from my studio for too long!

Video Games

I’m slowly getting to grips with making short videos, and the timelapse ones seem to be the most popular. Here’s a link to a recent painting of a dark grey arab.
YouTube video of Catherine painting

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Farewell, faithful friend

The time has come..

I have to replace my old easel. I first picked him up in Florence, part of a job lot being replaced by the Charles H. Cecil Studio where I had been studying. I was setting up a realist summer art school with James Napier, in London, and we bought them for a pittance, and, I presume, jammed them into our cars to get them back, I can’t imagine I flew them back, even in the heady days of limitless baggage on easyjet.

Charles H. Cecil Studio

They did service at the summer school, which rolled on for a year or two, eventually developing into the now enormously successful London Academy of Realist Art (drawpaintsculpt.com) which these days is run by James and his sister. I hung onto my easel (sorry James!) and its done a decade or so with me. A year or so in the punishingly expensive studios of London, a thankfully short while sharing what was basically a cave with James in the London Bronze Foundry and then more recently in my studio here.

The old easel with a work in progress

Old age has got him finally, in the end. He shakes and shudders, arthritic in every joint, and is also incontinent, leaking onto my feet (or the spaniels sleeping below) various noxious fluids I use in my work. I had a moment of madness, shopping late night on my ipad and bought a beast from Jacksons Art, a beechwood Chippendale of a model by Mabef. I’m pretty sure it cost more than my first car. It rolls, extends, lays flat, has drawers, but part of me will miss my old, paint encrusted easel from Italy, who knows how many students, and how many works have been created in his rickety wooden embrace?

Mmmm, don’t think he’ll be clean for long!

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How to dress as an artist.

What to wear?

I cannot claim any expertise in fashion world, but it is something I struggle with before every event! ‘What to wear?! How do you marry smart with artistic? Businesslike, but creative? I seem to be trying to balance two extremes.
I googled ‘How to dress as an artist’ and came up with this wikihow link. I can only assume it’s a piss take, but it’s pant wettingly funny. 

Ethnic

I see a lot of outfits like this, fine but a bit ‘I milk my own goats’ although it’s pleasingly named ‘form and whimsy outfit 5’
Blue fish clothing
I love going to art fairs and see how other artists dress, there was a group of three women at a show last year who were wearing between them; a cat ears hairband, neon (pink and yellow), tartan tights, copious velvet, and the obligatory eyewateringly bright kaftan. My gut feeling is that if you want to be taken seriously by buyers or potential galleries then cat’s ears are probably not going to swing things in your favour. 

I’m mad me.

I’m not keen on the ‘toddler in dressing up box’ look either. In fact, I tend to find that the more a successful an artist is, the less they look like an “artist”. Who knows where the fashion for crazy artist dressing stemmed from, Dali perhaps. Picasso always looked a bit like an onion seller to my mind.

Airy fairy

The final group I see alot of are the boho crowd, but it’s not really me. It’s too floaty, and impractical. I think it’s faintly ridiculous on someone the wrong side of 35. 
I tend to stick to less shouty outfits, with as much Anthropologie as I can afford in the sales. Private view at the Affordable Art Fair tomorrow, I won’t be the one wearing animal ear accessories!
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Finding the creative spark

What makes an artist ‘talented’?

I recently watched this Ted talk by Elizabeth Gilbert, the author of the bestseller ‘Eat, Pray, Love’ It touched a nerve, as I really empathise with her subject, that an artist does not have to be a mentally unstable genius in order to create brilliant work.

https://ed.ted.com/lessons/your-elusive-creative-genius-elizabeth-gilbert

Elizabeth Gilbert

5% talent – 95% hard graft

Art is a job, a job like any other when you have good days, bad days, days when you want to do nothing but work, and days when you wonder why you are there at all. Success is dependent on turning up and sticking at it. I suspect we do have steeper peaks and troughs, but it’s a temperamental business. There is no barrier to being both creative and business like, which artists and buyers are waking up to, harnessing the selling power of the Internet.

Two of the most common questions I’m asked are ; “where do you get your ideas from?” and “How do you price your work?”

I get my ideas from every day, I see ideas every time I leave the house, in every programme I watch, every book I read. For example I visited Windsor Horse Show yesterday and was flooded with ideas for paintings, this photo I took would make a fantastic sketch for example.

Sadly I have to balance every idea, with whether or not I think will it sell, and how many people will it appeal to. My art is a business, and I have to approach it as such, so sadly this idea will be condemned to the closet, as it will have too narrow an audience to make it commercial. (By the way, big congrats to my sister who won Champion Polo Pony with her little home bred mare, Tinx)

Tinx, Champion Polo pony at Royal Windsor 

I do think there is such a thing as ‘talent’ there are some days when that elusive genie really does just show up, but talent is nothing without hard work. I am listening to a new song in the studio at the moment – ‘Bills’ by Lunchmoney Lewis, I know how he feels, and the video is hilarious! Bills Video

I’ve just finished this piece, and I’m pretty sure the genie was on my shoulder for this one.

Needs a title?!

Abysmal photos, I know! They’re off to the print studio to be professionally photographed next week!

Comments, as always, are very welcome. Love to know your thoughts, esp on the Ted talk, do you agree with her?

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Opening my studio

Henley Arts Trail 2015

The doors opened on Saturday morning and a sure but steady trickle of visitors flowed through the doors until Monday evening.

Studio looking stunning in the early May evening sun.
I have to come clean here, for the previous six or so years I have always thought of opening the studio as a pleasant exercise in meeting local folk, and other artists but never as profitable endeavour.

Inside the studio looking super clean
This year however I decided to put in a lot more effort, and have a wider range of art for sale, something for every budget. We renovated the studio, bought a trade stand and installed a gallery hanging system. I invested in prints, framing and print browsers and rather a lot of sundries besides…

My lucky horseshoe
It paid off, or, at least, paid for itself. We sold a lot of prints, cards and several large oil pieces. It was as ever great to meet all those who had made the effort to visit and fascinating to watch them react to the work on the walls.

Jazzy keeping watch.
I did a demo piece over the course of the open weekend, something which was very popular, and it sold on the last day. 

“Conquest” oil on natural linen
The Maidenhead advertiser wrote a lovely piece about the trail featuring a photo of yours truly. In all well worth the effort, and now we have the artists after party to look forward to!
Tina & Dolly – sure that the HENley arts trail was all about them
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How and where to buy art

Buying art can be daunting for many people, so here are some suggestions!

Visit the artist

Painting is a solitary occupation and we are only too delighted to break for coffee and a chat with anyone who’s vaguely interested in our work. You will get a first hand look at where the work is created, the process and often be able to pick up pieces that would otherwise not be up for sale. The Salt Studio shop is an excellent example of a collaboration of artists selling preparatory or non gallery work.

Open Studios

Henley Arts Trail

Open studios are a great way to visit artists in a much more casual atmosphere. I am part of the fantastic Henley Arts Trail which runs for three days next weekend, and typically we have about a thousand people through over the bank holiday (this year is the 2-4th May). It’s fun, there are plenty of venues, and an enormous variety of art and artists to see.

Prosecco & Paintings party on the Sunday of H.A.T.

Online

Look at artist or gallery websites. Decide what you like then you can either visit the artist or the gallery to view it in person. I find a lot of people buy prints online, but most prefer to see originals in the flesh before committing to a purchase.

Print Sales

In a gallery

Ask them their advice! Tending a gallery can lean towards being a bit dull if no one talks to you! Most gallery owners or managers will be only too delighted to help find something to suit your taste and budget. There isn’t the pressure of engaging with one artist and the gallery owner will have a broad knowledge of art, able to source work outwith their current exhibition or published list of artists. Penny at Oil and Water does the excellent ‘try before you buy’ scheme, meaning you can take the work home, live with it for a day or two and then decide.
A lot of galleries are signed up to ‘own art‘ meaning you can pay in instalments, from as little as £10 a month until the work is paid for. Most artists are also happy to do this, several of my original sales or commissions are paid in 3-6 instalments by standing order.

Trade Fairs

The Affordable Arts Fair and similar are the best way to immerse yourself in the art scene without the obligation to engage with galleries or artists. You can browse thousands of artists, glass of wine or coffee in hand, until you find work that captures your attention. My work will be at the Hampstead Affordable Arts Fair June 11th-14th, showing with Eduardo Alessandro Studios

Bulldog 

Tip: Sign up to a few galleries and you may well be sent tickets to the private view the following year!

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The legend of Aonbarr

The inspiration and story of Aonbarr

This image I created, in charcoal and wash on paper, has taken me by surprise by its popularity, and many have asked how I come up with the idea for a new work, what sets the ‘spark’ for a fresh series of paintings.

Aonbarr 

Unicorns and Kelpies

I had been watching ‘Into the West’ a tearjerker of an Irish film, about a magical horse called Tir na nog, who transforms the lives of some kids in Dublin slums, but when I did some more research I found that Tir na nOg is the Irish name for the Land of Youth, or utopia, and the magic horse was called Aonbarr or Embarr, he had the ability to cross water and could carry the chosen over the sea to Tir na nOg.
I stumbled across the work of Emily Hancock, a very talented photographer who allowed me to use one of her images as the basis for Aonbarr. I wanted to capture that ethereal touch about him, a bit water kelpie, a touch of wildness. I did not however want to veer into the saccharine world of ‘magical unicorns with golden hooves and glittering manes’. It’s a fine line….

Large size print framed (700x560mm)

To sell or not to sell?

I know when I a painting is going to be successful when I find myself really wanting to keep it. I framed Aonbarr up, and hung it in our sitting room, but within a couple of hours of publishing it on Facebook it had been snapped up, followed by several more enquiries! Fortunately I have had him photographed, so have a Limited Edition of 250 Giclee Prints available. They are produced by a Fine Art Guild printer, in three sizes starting from £45. I now have the largest size framed in my bedroom!

Quiron

Painting horses

I have always loved painting horses, but in truth, have found equine work very hard to sell, I think those involved in equine life are drawn to a specific animal or rider, and so do not want to purchase a work which depicts an unknown horse or jockey. I wanted to create work that appealed to everybody, even those with no interest in riding, something more generic than a ‘racing’ or ‘polo’ painting. There is a struggle sometimes between painting subjects that you want to depict versus work that will sell, and I’m pleased that this series has encompassed both sides. I am now working with a local Andalusian stallion as a model and am hoping to have maybe half a dozen more equine works along a similar vein. You can see their progress in more detail on my FaceBook page

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BBC radio interview & Scotland

Easter in Aberdeenshire

My favourite tree
I’m up staying with parents in Aberdeenshire at the moment, in wall to wall to blue skies, wondering why we live anywhere else. (Conveniently forgetting the 6 month winter and periods of endless sleet & drizzle!)

House of Bruar

I called in at one of my galleries, the House of Bruar en route north, they have had a major revamp since I last visited, and met the very enthusiastic and capable new gallery manager. I dropped in some new work, had a browse through the existing exhibition, Bob Rudd‘s work particularly caught my eye. 

BBC Interview

I was whiling away some time on Twitter and the producer of a show on BBC Berks got in touch asking if I’d like to take part in Paul Miller’s evening show. They did a live interview with me, broadcast that evening. It was great fun to do, although I was very nervous beforehand. He threw me completely by asking if, in the context of collecting art, I had a couple of Turners in the bedroom? My married name being Turner I was momentarily foxed, there indeed being, at that point one Mr. Turner upstairs in the bedroom!
You can hear the interview by clicking on this link

https://www.bbc.co.uk/programmes/p02nn17h

Back to work

The view from my parents house. Extraordinarily special.
It was a great week away, I forget how drawn I am to Scotland and how much I miss it, so I am back in the studio, refreshed, recharged and ready to complete my series of jumping dogs. Now to find some more jumping dogs…
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Affordable Art

A.A.F.  Battersea

At last spring is ambling into view. I always view the art season as kicking off with the Affordable Art Fair in Battersea park in mid March. I was lucky enough to get tickets for the private view, and so I duly trotted along with the talented Tania Still for company. As we made (very slow, as one or other of us knew someone in almost every stand) progress around the fair, I was really struck by how many fresh pieces of work were on display. I absolutely LOVED these pieces by Alan Kingsbury on the Panter and Hall stand. Apparently he had a bit of a revelation a couple of years ago, threw all he knew into the air, and started producing these massive, simple, but so striking still life’s.

Alan Kingsbury 30x40inches £4,850

Affordable Art Fair – Hampstead

VERY excitingly I am going to be exhibiting at the next A.A.F. at Hampstead in the 11th-14th June with the Eduardo Alessandro Studios  I am busy burning the midnight oil producing some really cracking pieces that will be shown at the fair. I’m afraid I’m going to keep most of them under wraps until then, but can share this bulldog with you…

Bulldog 28×28 inches £2775

I really admire the EA Studios, they represent some incredible artists and I’m honoured to join the team. I particularly love Ron Lawson’s work, an artist I would  love to own a piece by!

Ron Lawson

HENLEY ARTS TRAIL 2-4th May

I’m honoured to be one their front cover this year. I have a lot of new work, and as we invested in a gallery hanging system for the studio last autumn it will look great when it’s all up. There’s a fresh team at the helm of the HAT committee, and a few new venues, so let’s hope for a weekend of fine weather!

BBC Big Painting challenge

I’ve been totally hooked on this series, and can’t wait to see who wins. My money is on Paul or Claire. I’ve also been surprised at the general low standard (these 10 were the best from 6000 entries?!?) and the outcry over the judges critiques. I realise I also now sound critical, but drawing and painting is as much as skill as any other discipline and some of them have not the slightest grasp of perspective, proportion or composition. To use an example, we would expect a competition featuring Britain’s best amateur musician to feature people who have a reasonable grasp of playing an instrument. I think it demonstrates the fairly dire state of many of our art schools in this country, the loss of basic draughtsmanship, with a few notable exceptions, (lavenderhillstudios.com, drawpaintsculpt.com) elsewhere the trite view ‘art is subjective’ is parroted. So is music subjective, but I doubt you’d want to listen to a musician who had never practised the basic skills of playing…. Believe me you don’t. My daughter is learning the recorder, she thinks she sounds amazing. I’ve rediscovered the joys of earplugs.

But perhaps you don’t agree? Maybe art is best left untaught, and everyone should develop at liberty, free from from the constraints of the past? Let me know….

Work in progress 400x500mm
www.catherineingleby.com
Twitter  @inglebyart
Facebook www.facebook.com/inglebyart

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As the winter drags on…

How to survive January & February

Such a grim time of year to be an artist, especially if you are tied to the UK by school children or other commitments. Clearly if you aren’t its fantastic as you can sugar off to another, sunnier, continent and ‘work’ there. (If this is you please don’t contact me until spring)
Camel etching
For those of us in the UK it can be hard to motivate ourselves to brave a freezing cold studio, so this is my personal motivational list:
*Work somewhere else. For me this is the fantastic South Hill Park which not only is heated but has a fab cafe buzzing with people. I’ve been doing all my etching in the print studio there.
*Submit to new galleries. They probably aren’t that busy either as its a very quiet time of year for all in the art world, so its a good time for artists to send out submissions. 
*Visit galleries and shows. I get too busy later in the year to do this, so have booked a few to go and see.
*Work out your competition schedule and submission deadlines for the year. 
*Plan your advertising budget and placements.
*Plan work. I can do this in my comparatively warm office, and then I’ll hit the studio once the heaters have kicked in.

Keep Painting

Easier said then done in this weather but I have managed to get a surprising amount done this month, and am pleased with my first equine work for a while. It’s a large piece 36×30″ which reminded me how much I enjoy working on this scale. No title as yet, so ideas welcome!

Upcoming shows

Oil & Water are hosting a Birds, Beasts and Butterflies exhibition this month which features several of my works, and we are also a doing a solo show at Wedlake Bell in the city. Invites are available on request.

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drawing to a close…

The past year

Christmas is nearly upon us and I have been reflecting a bit on the past twelve months. 2014 has been a fantastic year here at Ingleby art HQ, Madeleine joined me early in the year and has been a godsend managing a lot of the areas I’m weak in (basically anything involving organisation or sitting at a computer..)
We have built up to a dozen galleries, and showed at around twenty exhibitions in the ten month period, with one more solo to come in the New Year. I have taken up printmaking once a week, which I’ve loved, well loved etching, not so much the other forms!


www.catherineingleby.com
Camel Etching

 

Inspiration from elsewhere

I’m being inundated with posts form various blogs I follow about reviewing your year as a business, and making plans for 2015. Some of these have brilliant tips, and I take great inspiration from them. www.makingamark.com and www.artbizblog.com are two of my favourites, and my old colleague Marc d’alessio also writes very well about life as painter – www.marcdalessio.com
As some light relief from all these worthy material I also follow www.cupcakesandcashmere.com which pretty much represents the polar opposite of my life, so is fascinating to peek into (and occasionally snigger at – cannot wait to see the havoc a new baby is going to wreak) I must stop accumulating pets though…


My studio mates – Ivy and new puppy Jazzy.

Plans for 2015

My plans for 2015 are going to include more of the gundog series, which has been very popular, a lot more wildlife, especially as we are planning a trip to South Africa in late 2015. I also want to build up the illustration business which goes from strength to strength (due to Madeleine!) We launched the new website and last month and have had steady sales
www.inglebyillustration.co.uk



www.inglebyillustration.co.uk
www.inglebyillustration.co.uk

The prints are also being snapped up very quickly, I am doing a set of 50 of the Tigers as canvas prints 70x70cm, and they are proving very popular. The print quality is so good I really can hardly tell the reproductions from the originals!

www.catherineingleby.com
www.catherineingleby.com

So, Happy Christmas to all, a huge thank you to all those who have supported me over this last year and looking forward to 2015!

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Trade Fairs – are they worth the hassle?

As I’m sure you know, if you read this blog, (I have been drumming it into your heads for what seems like forever) I did my first trade Fair – The Country Life Fair at Fulham Palace last month.
I think if I’d posed myself this question on the Sunday night after closing; exhausted, grubby, and coming down with what turned out to be a severe lung infection, the answer would have been short, and possibly rude.

I’ve now had a while to reflect, and my experience was, on the whole, very positive.

All packed up – with a stowaway…

Customer Interaction

It was the first time, really ever, I’ve had to sell my own work. I’m not sure why this has never occured to me before, but generally, I leave it with a gallery or post it off to an agent, gad about at the private view, then pick up any unsold works at a later date. At Fulham Palace, I got to see how every potential client approached my work, which pieces they were drawn to, and on engaging as many as possible in conversation, learnt as much in two days than over the past five years!

Meeting folk

This is a two pronged postive. I signed up loads of people to my mailing list – though it did take me a while to work out an approach that was more subtle than ‘Sign my mailing list why don’t you?!’ which had people backing off at speed. I got to meet everyone that bought the work, and actually see the pleasure it gave them. So much more satisfying than anonomous or internet sales!

I met loads of other artists, gallery owners and agents, some old friends, but many new. Forging these sort of connections is invaluable in the very close knit art world. As a general rule artists tend to be very supportive of each other (there are exceptions!) which can only be of benefit to all.



www.clairemoynihan.co.uk
I fell in love with these bees by Claire Moynihan.

Preparation

I hold my hands up. I hadn’t thought of everything, or half of what I needed. A large thank you to Frannie (www.francescasanders.com) who was immensely helpful, both in keeping a lid on my rising panic beforehand and lending bits and bobs throughout. In fairness, being an inaugural fair, there were a few last minute, unscheduled changes so next year will be easier!

It did look stunning!
 So many thanks to all those who came, especial thanks to those that bought my work, and yes, I will do some more jumping dogs!
 
 

And the rest

September closed with a great private view at The Circle in Reading. Artscope hosted the drinks, and all profits went to the Alexander Devine Trust which is building a childrens hospice for Berkshire.
 
I mean to get this post out a few weeks ago, but what with being ill, and a deluge of print orders and commissions, it has been delayed somewhat. I have also done quite a few new pieces which are currently at the print studio being photographed.
There is lots coming up for the christmas period, the first event of which is that I’ll be hosting an open studio christmas drinks here on the 22nd november – all welcome!

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Never stand still.

Some months I feel as though I am on a treadmill set at high speed. Work, kids, puppies, exhibitions trade fairs. The downside of having six weeks off for the summer holidays is the mountain of work to come back to in September. I have spent most of this fortnight wading through paperwork, ferrying artwork from one exhibition to another, and figuring out logistics for forthcoming trade fairs and shows.

Our new Puppy, Jazz.
 

I actually haven’t painted anything for nearly three months, and so feel I’m probably going to be pretty rusty when I pick up the brushes again in October (after the Country Life Fair on the 28/29th September, no point even attempting to get started before that circus has finished!) They have been a fantastic job of publicising it, organising a very glamorous event at the Natural History Museum, which was attended by many artists in their finery! Do come and visit me, my stand is number 219.

Printmaking at SouthHill Park

As much I would like to stand still for a few moments, it is all too easy to get stuck in a work rut, and so to that end I have signed up for a printmaking course at the fabulous Southhill Park in Bracknell.

 

I have never really done any printmaking, and the equipment and range of techniques is bewildering for a complete beginner, particularly as I seem to have joined a very experienced class! The first session was absolutely absorbing and inspiring, and while I have hardly produced any masterpieces, it has been great fun, I’ve learnt a huge amount and realised just how much more I have to learn. These were my first two attempts – simple monoprints, working with etching ink onto acetate.

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Back to school, back to the studio.

The summer seems to have flashed by, a blur of road trips, camping and holidays en famille. I love travelling, as I find a change of scene can often light the spark of inspiration and can be the catalyst for a whole new series of paintings. Such a thing happened on our recent trip to Paimpol in France, it was the most stunning town, crammed with surprisingly good galleries, artist and artisans.
I fell in love with the work by this sculptor Jean Francois Gambino

It was a pleasure to see so much craft, colour and talent in the myriad of small shops. These glass blowers were exceptional, I could easily have spent my annual profits in their shop, which doubled as their studio, so we could watch the glass blowers at work. Verr-Glass, Paimpol

Even the sardine tin arranger had an eye for colour and display!

The thing that fired me up though was a trip to a small, slightly dishevelled circus. Whether one agrees with animals performing or not there is something very magical about being in a tent, mere inches away from a tigers tail. The children were transfixed, absolutely mesmerised throughout the two hour show. I was inspired. I am not going to include wild animals in paintings, but I would very much like to do a circus series of performing horses and dogs, so watch this space.

September is shaping up to be an insanely busy month, with one or two projects opening every week. The show in Essex at the Aubrey Gallery opens this Friday so do please visit if you are in the region. I am also pleased to say that the David Shepherd Wildlife Fund is now representing me and my prints can be bought through their website, or their gorgeous gallery in Guildford, Surrey.

I am attending the private view of the Society of Equestrian Artists at the Mall Galleries, London tomorrow night, where my charcoal work, “Brace for Landing” has been hung.

The Country Life Fair in Fulham Palace on the 27/28th September is taking up most of my waking hours, although I think we are pretty much prepared for it. They are hosting the most incredible drinks reception & ball on the 10th of September in the Natural History Museum for which tickets are still available.

So, the children go back to school on Wednesday and I go back to the studio, I have several British native mammal works planned out, which will hopefully be ready for the Country Life Fair. Please see my InglebyArt Facebook page for daily updates, or follow me on Twitter @InglebyArt

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Elephants, Ebooks & Exhibitions

There’s always a faint hope, after a solo exhibition, that one will make enough cash to pack a suitcase and shove off to the Bahamas for a few months. Not quite.
However I did take a trip, en famille to the south coast, and there found the most wonderful studio in Birdham Pool marina, where dad moors his boat.
Ivy taking to be a sea dog!

 It’s run by the artist Lucie Cookson, and details can be found at www.tidyst.com She mentioned it was available to let sometimes, I was sorely tempted. Could the children, dogs and I live on a boat for a few weeks?!

The view from the studio was an inspiration in itself.

Well, it wasn’t the Bahamas, but it was almost as good as….
Back at Ingleby Art HQ, we had briefest of respites before getting back on it. I’m delighted to say I’m going to be exhibiting with the Aubrey Gallery in Essex in their “Fur, Fin & Feather” exhibition this September. The ByGillian Gallery in Bourne End has also started stocking my work.

Limited Edition Prints

Sales of the Limited Edition print have really taken off, Burning Bright leading the field in popularity, this photo was taken by the couple who were quickest off the mark, snapping both firsts in the print editions. 

Artscope

I’m very pleased to be involved with ARTSCOPE at The Circle Hospital in Reading, a stunning exhibition curated by Rukshi Brownlow which places work in the public building to raise funds for the Alexander Devine Trust.

The Country Life Fair 27th-28th September

www.countrylifefair.co.uk
The Country Life Fair at Fulham Palace is beginning to loom on the horizon, drinks in St James Palace with HRH Prince Micheal of Kent this week, a huge black tie ball at the National History museum in September, they have pulled out all the stops for publicity and promotion, so I am really looking forward to he event itself. It’s my first trade fair, so I don’t mind admitting to a few nerves, and it would be great to see some friendly faces!

Ebooks and Elephants

My work is going to be published in a new iArtBook by Art Has No Borders, a very exciting new collaboration in the digital world of publishing! The book is called ‘Animal Kindom’ and can be downloaded onto iBooks.

I’m looking for an elephant to paint. Preferably a youngish one. If you know where I can find one please let know!