Posted on

What to say to an artist

At the many private views, exhibitions and fairs I’ve been to over the years, I often find people are at a loss as to what to ask me, and say the first thing that comes into their head, which is often, mostly unintentionally, rude. 

So, a light hearted guide of suggested questions;

1. Where do you get your inspiration?
2. What materials do you use? (Do not get an artist started on types of paper, unless you want to be there all night)
3. How do you achieve …. insert suitable aspect of painting (colour/effect/perpespective/technique)
4. What brought you to this subject?
5. Have you always painted in this style?
6. Which other artists influence your work?
7. Apart from yourself which artist would you invest in? (Artists often buy art, I love collecting work by others, and often am in a position to know whos ‘up & coming’. Phrase it carefully though, implying that you’d rather buy someone else work is rude…)
8. Which is your favourite gallery/museum? 
9. What is your studio like? (This could be another long rant)
10. May I get you another glass of wine? (Dear god, yes.)

Here are a few questions I’m asked a lot – in order of popularity! Not rude per se, but asked so often they make me want to scream, or at least reply sharply…


1. How long did it take? (There is no right answer, it takes a lifetime to learn a skill, the better you are, the faster you can do it.)
2. Is it for sale? (That is WHY we’re here.)
3. Is it in oil? (It does say ‘Oil on canvas’ on the label)
4. Can you teach my son/daughter/aunt? (Artist, not art teacher)
5. Have you always been an artist? (Every child is born an artist – Picasso)


And these are just plain rude. Expect a retort in kind..



1. How long did it take? (It’s too annoying)
2. It must be lovely doing your hobby full time. (ITS MY JOB, only about 20% of my long working hours are actually spent painting.)
3. How much do you make? (How much do you make?)
4. It’s like a photograph (It’s a painting/drawing so it’s really not)
5. It doesn’t match my walls. (That was never my intention)
6. Are you any good/famous?(Define that for me…are you judging me against Kim Kardashian?)
7. Can I buy it more cheaply direct? (You want me to jeopardise my business relationship with my gallery?)
8. Can you do x for free, it will be great advertising. (A very dangerous question likely to make an artist boil over, try it out on your plumber to gauge a likely reaction first. On the flip side I often donate work for charity, so it’s always worth asking in the name of a legitimate cause.)
9. You’re so lucky being an artist. (It was mostly hard graft and bloody mindedness. It certainly felt more like a curse at times.)
10. When are you going to get a paid job? (A parental prerogative to ask this one….)
Posted on

Pubs and dogs.

It’s all about Labs

I’m in the fortunate position of having a long list of commissions to do at the moment, and am trying to get them done before Easter. First up were three labradors, two yellow and one black. The sharp eyed might spot that the yellow lab portraits are in fact the same dog.

They are still works in progress, I have at least another week to do. 
I’ve moved into the house to work as the studio is just too cold. I may never move back out….

Pub paintings

I’m not sure what triggered me to do a painting of my local pub, I had been researching Cecil Aldin on t’internet, one of my favourite artists for dog portraits. I came across a book of his called “Old Inns’ and found a drawing of my local, which I was already familiar with. The etching puzzles me, its signed ‘Cecil Aldrin’, and is is very accomplished, but I can find no record of him producing etchings.

The Bell Inn – Cecil Aldin
Etching – after Cecil Aldin

Anyway, we had a week of extraordinary light in November, and most mornings that week were spent photographing and sketching, delaying the school run several times! 
I’ve really enjoyed painting landscapes again, and if it’s successful may well explore the idea of a series. My husband works in the pub industry so I suppose I have a added interest in them.
I’ve released an small edition of canvas prints of The Bell in Waltham St Lawrence. Canvas prints can be bought here
The Bell Inn, WSL

Artist’s Dogs

Cecil Aldin is really blame for my current dogs – I saw this sketch many years ago, and decided there and then that when I had spaniels, they would look like the one in the sketch, despite never having seen a roan and tan cocker before. It took a few years, but now I have Ivy and Jazzy below, who are much loved for all the chaos and fun they bring to our lives. 

Posted on

New Years Resolutions

January 2017

New year promise 

I have a horrible feeling this may be similar to last years resolution, but I am full of hope that this year I will stop neglecting my blog and write a weekly post. I will spend less time watching ridiculous videos on Facebook and construct witty prose packed with my weekly news…

Jump for Joy

Talking of Facebook..

I have finally got to grips with FB advertising, and we were caught completely on the hop by the success of our pre christmas promotions, scrambling to process and ship all the orders in time. Thankfully we succeeded, and now have a fantastic system in place so everything should proceed smoothly from here on out. The biggest sellers by far were ‘Razzle Dazzle’ and Jump for Joy’
Two of my favourite paintings, I think they capture a sense of fun, and humour, and I hope give you as much pleasure looking at them, as they gave me enjoyment in their creation.

Razzle Dazzle

January sale “ARTSALE17”

The 25% off promotion will run until the end of January, please use the code above for 25% off all works on my website, prints and originals.

In the studio.. or not

The studio has become such an uphill battle to heat I have now moved inside, setting up in our garden room. I can’t tell you what a pleasure it is to think I’ll be able to work during the day without being cold. In fact I overstoked the woodturner so much I had to wear only a T-shirt yesterday. The dogs are also thrilled as they become markedly reluctant to ‘come to work’ over the past few weeks. 

On the easel

I am working on various commissions this month, as a bit of backlog has built up. On the easel are two portraits of same yellow labrador, a client has commissioned one for each of her sons which rather lovely, but presenting its own challenges. 
I’m also working on a series of local landscapes, my first landscapes in a decade. We had a period of spectacular light in November and every school run was, at best,  meandering as I stopped to take photos. 
I’ll leave you with some recent images
My cockerel 

The Bell Inn, Waltham St Lawrence

In progress

Tess, Labradoodle
Posted on

Grrrr…

Grrrr

This is meant to be my quiet time of year, when I can footle about faffing about working online in my warm study, instead of freezing in my draughty studio, spluttering in the temperamental warmth of the log burner.

However, fresh back from Africa I had a raft of new images to work from, and the deadline for the David Shepherd Wildlife Artist of the Year coming up.

Now you see me ….

I really wanted to produce some big works, that would have an impact in the Mall Galleries, and work well together as a group. Tom Way was kind enough to give me permission to use some of his lion photos to work from. Safari with children is magical but not really conducive to producing much in the way work! 

Young lion at waterhole

Serena sketching

The moon, swallows and springbok

Male lion, North Pride

Working to such a tight deadline is always stressful, although a friend did say, with raised eyebrow, “It’s not like you haven’t known about it for twelve months…” I know, I know, but I only got back from Africa at the end of December and it’s tricky to conjure up decent wildlife in Berkshire! 

The past few weeks have been spent converting the sketches and photos into paintings. I hope I have a strong body of work to submit, and that at least a couple get chosen! Here’s a peek at a two of them.  

Wildlife Artist of the Year 

Dawn Ascending, Oil on panel. 24×18″
Lion 75x55cm charcoal on paper

So, hopefully, the last works should be finished this week and then photographed in time for the deadline on the 13th feb! 

Art Dubai 2016

I’m also working on some equine paintings for Art Dubai 2016 which takes place in April. Signet Contemporary Art are taking them, so I’m looking forward to working with them. I did contemplate a trip accompanying them to the sun, but maybe next year!

Posted on

Aladdins Cave

Russell-Cotes Museum

Finding myself at a loose end over half term I booked myself and the kids into a hotel in Bournemouth for a couple of days. I wouldn’t really recommend the hotel but my main reason for being there was to visit the Russell Cotes house and gallery. It is fabulous, like the home of some wonderfully flamboyant old uncle, perhaps an immensely wealthy Monty for Withnail, who has stepped out and let you in for a wander. The house is a work of art in its own right, the couple of lived there clearly had no budget restraint and went to town, every room a homage to decorative arts. 

Russell-Cotes House
The central Hall, Hugh contemplating the morrocan influenced fountain, now bereft of goldfish.

Charles Walter Simpson

I was not familiar with this artist, but this huge  – 8 foot square – canvas is extraordinary, it’s such an incredible study of light and pattern. Looking through his body of work, he clearly was drawn to abstract light patterns, and his painting of seagulls in late evening light ‘Silver Wings’ is stunning. His paintings seem remarkably contemporary for his time.

The punt gunner by Charkes Walter Simpson 1924

Lucy Kemp Welch

Not one of my favourite artists as her subjects tend to be quite twee, but still recognised as being one of the great equine artists of the 20th century.

The Gypsy Horse Drovers 1895

 Maud Earl

I know Maud from her prolific dog portraits that adorn many a country house, but this is the first big painting I had seen of hers. A stunning composition, very unusual having cropped the deer in the foreground.

Add caption

 Henry William Banks Davis 

Sheep are such unappealing subjects to paint being lumpen shaped, idiotic and with very little expression (sorry sheep!) but here Henry Davis has made them magnificently noble and dramatic.

Approaching Thunderstorm in Picardy 1869

Munnings

Ah, Munnings, I don’t see any in the flesh for a while and fall out of love with his work. He’s a one trick pony, endlessly repeating the same composition, the paintings seem crude and slapdash. Then you see one and remember why he is so justifiably famous and revered. They are extraordinary in real life; the size, the fury of the application of the paint and the insane use of colour, yet you stand back and it all falls into a harmonious painting with an exquisite handling of flesh. 
Dod Shaw on Patrick 1912
Brushwork up close. Mental.

And the rest

We ended up spending four hours there. they have a fabulous cafe and programmes for children. This is the sort of place art should be viewed with none of the sterility of modern museums. It’s when you works like the one below that you realise this is how they were designed to be displayed, not on a white wall under harsh spotlights, look at that wallpaper!!I urge you to go and have a look, their website is pretty basic with little info but it is worth the trip. I saw paintings by Farquharson, Lavery, Landseer, Henry Moore, and many more. Here’s a few more photos – but the BBC ‘Your Paintings’ collection has a comprehensive catalogue

Posted on

Horses for courses

Equine Art

Summer is fading, and the kids are about to start back at school, including my youngest in her slightly too big pinafore and pristine white socks. I feel sad to see her go but it does mean I will now have five days a week to work, uninterrupted. Five days!! It’s been a long time since I had that. 
Horses have taken star billing this summer, kicking off with the Society of Equine Artists, who posted their selection at the end of July. I’m delighted that all three of mine got in, initallialy being exhibited at the Sally Mitchell Galleries and two were cherry picked to go onto the Osborne Studio Gallery in Knightsbridge for an exhibition of Equine art in September.

Espirito Gitano

Phaeton

The Midas Touch

I was hugely honoured to have the opportunity to go and photograph the “Golden Horse” Pearl of Peace at his yard, along with two other stallions. This extraordinary stallion is one of a kind, with an incredibly rare genetic combination that gives him his reflective, metallic gold colouring. He is still a youngster at three but such a character, and a real performer, clearly going to love the spotlight his life will entail! I am hoping to create a series of paintings from my time there, and will post progress on my FaceBook page.

Society of Wildlife Artists

I am currently framing “Monkey Business” in order to present it to the final selection for the society of wildlife Artists in mid September. I was pleased, and a bit surprised to have a piece accepted at the first round, as their emphasis seems to be heavily in favour of bird paintings, particularly those in a natural setting. Fingers crossed for the final round at the Mall Galleries!


So back to the grindstone in a few days, I’m looking forward to really getting my teeth into a new series, I feel as though I have been away from my studio for too long!

Video Games

I’m slowly getting to grips with making short videos, and the timelapse ones seem to be the most popular. Here’s a link to a recent painting of a dark grey arab.
YouTube video of Catherine painting

Posted on

Farewell, faithful friend

The time has come..

I have to replace my old easel. I first picked him up in Florence, part of a job lot being replaced by the Charles H. Cecil Studio where I had been studying. I was setting up a realist summer art school with James Napier, in London, and we bought them for a pittance, and, I presume, jammed them into our cars to get them back, I can’t imagine I flew them back, even in the heady days of limitless baggage on easyjet.

Charles H. Cecil Studio

They did service at the summer school, which rolled on for a year or two, eventually developing into the now enormously successful London Academy of Realist Art (drawpaintsculpt.com) which these days is run by James and his sister. I hung onto my easel (sorry James!) and its done a decade or so with me. A year or so in the punishingly expensive studios of London, a thankfully short while sharing what was basically a cave with James in the London Bronze Foundry and then more recently in my studio here.

The old easel with a work in progress

Old age has got him finally, in the end. He shakes and shudders, arthritic in every joint, and is also incontinent, leaking onto my feet (or the spaniels sleeping below) various noxious fluids I use in my work. I had a moment of madness, shopping late night on my ipad and bought a beast from Jacksons Art, a beechwood Chippendale of a model by Mabef. I’m pretty sure it cost more than my first car. It rolls, extends, lays flat, has drawers, but part of me will miss my old, paint encrusted easel from Italy, who knows how many students, and how many works have been created in his rickety wooden embrace?

Mmmm, don’t think he’ll be clean for long!

Posted on

How to dress as an artist.

What to wear?

I cannot claim any expertise in fashion world, but it is something I struggle with before every event! ‘What to wear?! How do you marry smart with artistic? Businesslike, but creative? I seem to be trying to balance two extremes.
I googled ‘How to dress as an artist’ and came up with this wikihow link. I can only assume it’s a piss take, but it’s pant wettingly funny. 

Ethnic

I see a lot of outfits like this, fine but a bit ‘I milk my own goats’ although it’s pleasingly named ‘form and whimsy outfit 5’
Blue fish clothing
I love going to art fairs and see how other artists dress, there was a group of three women at a show last year who were wearing between them; a cat ears hairband, neon (pink and yellow), tartan tights, copious velvet, and the obligatory eyewateringly bright kaftan. My gut feeling is that if you want to be taken seriously by buyers or potential galleries then cat’s ears are probably not going to swing things in your favour. 

I’m mad me.

I’m not keen on the ‘toddler in dressing up box’ look either. In fact, I tend to find that the more a successful an artist is, the less they look like an “artist”. Who knows where the fashion for crazy artist dressing stemmed from, Dali perhaps. Picasso always looked a bit like an onion seller to my mind.

Airy fairy

The final group I see alot of are the boho crowd, but it’s not really me. It’s too floaty, and impractical. I think it’s faintly ridiculous on someone the wrong side of 35. 
I tend to stick to less shouty outfits, with as much Anthropologie as I can afford in the sales. Private view at the Affordable Art Fair tomorrow, I won’t be the one wearing animal ear accessories!
Posted on

Finding the creative spark

What makes an artist ‘talented’?

I recently watched this Ted talk by Elizabeth Gilbert, the author of the bestseller ‘Eat, Pray, Love’ It touched a nerve, as I really empathise with her subject, that an artist does not have to be a mentally unstable genius in order to create brilliant work.

https://ed.ted.com/lessons/your-elusive-creative-genius-elizabeth-gilbert

Elizabeth Gilbert

5% talent – 95% hard graft

Art is a job, a job like any other when you have good days, bad days, days when you want to do nothing but work, and days when you wonder why you are there at all. Success is dependent on turning up and sticking at it. I suspect we do have steeper peaks and troughs, but it’s a temperamental business. There is no barrier to being both creative and business like, which artists and buyers are waking up to, harnessing the selling power of the Internet.

Two of the most common questions I’m asked are ; “where do you get your ideas from?” and “How do you price your work?”

I get my ideas from every day, I see ideas every time I leave the house, in every programme I watch, every book I read. For example I visited Windsor Horse Show yesterday and was flooded with ideas for paintings, this photo I took would make a fantastic sketch for example.

Sadly I have to balance every idea, with whether or not I think will it sell, and how many people will it appeal to. My art is a business, and I have to approach it as such, so sadly this idea will be condemned to the closet, as it will have too narrow an audience to make it commercial. (By the way, big congrats to my sister who won Champion Polo Pony with her little home bred mare, Tinx)

Tinx, Champion Polo pony at Royal Windsor 

I do think there is such a thing as ‘talent’ there are some days when that elusive genie really does just show up, but talent is nothing without hard work. I am listening to a new song in the studio at the moment – ‘Bills’ by Lunchmoney Lewis, I know how he feels, and the video is hilarious! Bills Video

I’ve just finished this piece, and I’m pretty sure the genie was on my shoulder for this one.

Needs a title?!

Abysmal photos, I know! They’re off to the print studio to be professionally photographed next week!

Comments, as always, are very welcome. Love to know your thoughts, esp on the Ted talk, do you agree with her?

Posted on

Opening my studio

Henley Arts Trail 2015

The doors opened on Saturday morning and a sure but steady trickle of visitors flowed through the doors until Monday evening.

Studio looking stunning in the early May evening sun.
I have to come clean here, for the previous six or so years I have always thought of opening the studio as a pleasant exercise in meeting local folk, and other artists but never as profitable endeavour.

Inside the studio looking super clean
This year however I decided to put in a lot more effort, and have a wider range of art for sale, something for every budget. We renovated the studio, bought a trade stand and installed a gallery hanging system. I invested in prints, framing and print browsers and rather a lot of sundries besides…

My lucky horseshoe
It paid off, or, at least, paid for itself. We sold a lot of prints, cards and several large oil pieces. It was as ever great to meet all those who had made the effort to visit and fascinating to watch them react to the work on the walls.

Jazzy keeping watch.
I did a demo piece over the course of the open weekend, something which was very popular, and it sold on the last day. 

“Conquest” oil on natural linen
The Maidenhead advertiser wrote a lovely piece about the trail featuring a photo of yours truly. In all well worth the effort, and now we have the artists after party to look forward to!
Tina & Dolly – sure that the HENley arts trail was all about them
Posted on

How and where to buy art

Buying art can be daunting for many people, so here are some suggestions!

Visit the artist

Painting is a solitary occupation and we are only too delighted to break for coffee and a chat with anyone who’s vaguely interested in our work. You will get a first hand look at where the work is created, the process and often be able to pick up pieces that would otherwise not be up for sale. The Salt Studio shop is an excellent example of a collaboration of artists selling preparatory or non gallery work.

Open Studios

Henley Arts Trail

Open studios are a great way to visit artists in a much more casual atmosphere. I am part of the fantastic Henley Arts Trail which runs for three days next weekend, and typically we have about a thousand people through over the bank holiday (this year is the 2-4th May). It’s fun, there are plenty of venues, and an enormous variety of art and artists to see.

Prosecco & Paintings party on the Sunday of H.A.T.

Online

Look at artist or gallery websites. Decide what you like then you can either visit the artist or the gallery to view it in person. I find a lot of people buy prints online, but most prefer to see originals in the flesh before committing to a purchase.

Print Sales

In a gallery

Ask them their advice! Tending a gallery can lean towards being a bit dull if no one talks to you! Most gallery owners or managers will be only too delighted to help find something to suit your taste and budget. There isn’t the pressure of engaging with one artist and the gallery owner will have a broad knowledge of art, able to source work outwith their current exhibition or published list of artists. Penny at Oil and Water does the excellent ‘try before you buy’ scheme, meaning you can take the work home, live with it for a day or two and then decide.
A lot of galleries are signed up to ‘own art‘ meaning you can pay in instalments, from as little as £10 a month until the work is paid for. Most artists are also happy to do this, several of my original sales or commissions are paid in 3-6 instalments by standing order.

Trade Fairs

The Affordable Arts Fair and similar are the best way to immerse yourself in the art scene without the obligation to engage with galleries or artists. You can browse thousands of artists, glass of wine or coffee in hand, until you find work that captures your attention. My work will be at the Hampstead Affordable Arts Fair June 11th-14th, showing with Eduardo Alessandro Studios

Bulldog 

Tip: Sign up to a few galleries and you may well be sent tickets to the private view the following year!

Posted on

The legend of Aonbarr

The inspiration and story of Aonbarr

This image I created, in charcoal and wash on paper, has taken me by surprise by its popularity, and many have asked how I come up with the idea for a new work, what sets the ‘spark’ for a fresh series of paintings.

Aonbarr 

Unicorns and Kelpies

I had been watching ‘Into the West’ a tearjerker of an Irish film, about a magical horse called Tir na nog, who transforms the lives of some kids in Dublin slums, but when I did some more research I found that Tir na nOg is the Irish name for the Land of Youth, or utopia, and the magic horse was called Aonbarr or Embarr, he had the ability to cross water and could carry the chosen over the sea to Tir na nOg.
I stumbled across the work of Emily Hancock, a very talented photographer who allowed me to use one of her images as the basis for Aonbarr. I wanted to capture that ethereal touch about him, a bit water kelpie, a touch of wildness. I did not however want to veer into the saccharine world of ‘magical unicorns with golden hooves and glittering manes’. It’s a fine line….

Large size print framed (700x560mm)

To sell or not to sell?

I know when I a painting is going to be successful when I find myself really wanting to keep it. I framed Aonbarr up, and hung it in our sitting room, but within a couple of hours of publishing it on Facebook it had been snapped up, followed by several more enquiries! Fortunately I have had him photographed, so have a Limited Edition of 250 Giclee Prints available. They are produced by a Fine Art Guild printer, in three sizes starting from £45. I now have the largest size framed in my bedroom!

Quiron

Painting horses

I have always loved painting horses, but in truth, have found equine work very hard to sell, I think those involved in equine life are drawn to a specific animal or rider, and so do not want to purchase a work which depicts an unknown horse or jockey. I wanted to create work that appealed to everybody, even those with no interest in riding, something more generic than a ‘racing’ or ‘polo’ painting. There is a struggle sometimes between painting subjects that you want to depict versus work that will sell, and I’m pleased that this series has encompassed both sides. I am now working with a local Andalusian stallion as a model and am hoping to have maybe half a dozen more equine works along a similar vein. You can see their progress in more detail on my FaceBook page

Posted on

Affordable Art

A.A.F.  Battersea

At last spring is ambling into view. I always view the art season as kicking off with the Affordable Art Fair in Battersea park in mid March. I was lucky enough to get tickets for the private view, and so I duly trotted along with the talented Tania Still for company. As we made (very slow, as one or other of us knew someone in almost every stand) progress around the fair, I was really struck by how many fresh pieces of work were on display. I absolutely LOVED these pieces by Alan Kingsbury on the Panter and Hall stand. Apparently he had a bit of a revelation a couple of years ago, threw all he knew into the air, and started producing these massive, simple, but so striking still life’s.

Alan Kingsbury 30x40inches £4,850

Affordable Art Fair – Hampstead

VERY excitingly I am going to be exhibiting at the next A.A.F. at Hampstead in the 11th-14th June with the Eduardo Alessandro Studios  I am busy burning the midnight oil producing some really cracking pieces that will be shown at the fair. I’m afraid I’m going to keep most of them under wraps until then, but can share this bulldog with you…

Bulldog 28×28 inches £2775

I really admire the EA Studios, they represent some incredible artists and I’m honoured to join the team. I particularly love Ron Lawson’s work, an artist I would  love to own a piece by!

Ron Lawson

HENLEY ARTS TRAIL 2-4th May

I’m honoured to be one their front cover this year. I have a lot of new work, and as we invested in a gallery hanging system for the studio last autumn it will look great when it’s all up. There’s a fresh team at the helm of the HAT committee, and a few new venues, so let’s hope for a weekend of fine weather!

BBC Big Painting challenge

I’ve been totally hooked on this series, and can’t wait to see who wins. My money is on Paul or Claire. I’ve also been surprised at the general low standard (these 10 were the best from 6000 entries?!?) and the outcry over the judges critiques. I realise I also now sound critical, but drawing and painting is as much as skill as any other discipline and some of them have not the slightest grasp of perspective, proportion or composition. To use an example, we would expect a competition featuring Britain’s best amateur musician to feature people who have a reasonable grasp of playing an instrument. I think it demonstrates the fairly dire state of many of our art schools in this country, the loss of basic draughtsmanship, with a few notable exceptions, (lavenderhillstudios.com, drawpaintsculpt.com) elsewhere the trite view ‘art is subjective’ is parroted. So is music subjective, but I doubt you’d want to listen to a musician who had never practised the basic skills of playing…. Believe me you don’t. My daughter is learning the recorder, she thinks she sounds amazing. I’ve rediscovered the joys of earplugs.

But perhaps you don’t agree? Maybe art is best left untaught, and everyone should develop at liberty, free from from the constraints of the past? Let me know….

Work in progress 400x500mm
www.catherineingleby.com
Twitter  @inglebyart
Facebook www.facebook.com/inglebyart

Posted on

drawing to a close…

The past year

Christmas is nearly upon us and I have been reflecting a bit on the past twelve months. 2014 has been a fantastic year here at Ingleby art HQ, Madeleine joined me early in the year and has been a godsend managing a lot of the areas I’m weak in (basically anything involving organisation or sitting at a computer..)
We have built up to a dozen galleries, and showed at around twenty exhibitions in the ten month period, with one more solo to come in the New Year. I have taken up printmaking once a week, which I’ve loved, well loved etching, not so much the other forms!


www.catherineingleby.com
Camel Etching

 

Inspiration from elsewhere

I’m being inundated with posts form various blogs I follow about reviewing your year as a business, and making plans for 2015. Some of these have brilliant tips, and I take great inspiration from them. www.makingamark.com and www.artbizblog.com are two of my favourites, and my old colleague Marc d’alessio also writes very well about life as painter – www.marcdalessio.com
As some light relief from all these worthy material I also follow www.cupcakesandcashmere.com which pretty much represents the polar opposite of my life, so is fascinating to peek into (and occasionally snigger at – cannot wait to see the havoc a new baby is going to wreak) I must stop accumulating pets though…


My studio mates – Ivy and new puppy Jazzy.

Plans for 2015

My plans for 2015 are going to include more of the gundog series, which has been very popular, a lot more wildlife, especially as we are planning a trip to South Africa in late 2015. I also want to build up the illustration business which goes from strength to strength (due to Madeleine!) We launched the new website and last month and have had steady sales
www.inglebyillustration.co.uk



www.inglebyillustration.co.uk
www.inglebyillustration.co.uk

The prints are also being snapped up very quickly, I am doing a set of 50 of the Tigers as canvas prints 70x70cm, and they are proving very popular. The print quality is so good I really can hardly tell the reproductions from the originals!

www.catherineingleby.com
www.catherineingleby.com

So, Happy Christmas to all, a huge thank you to all those who have supported me over this last year and looking forward to 2015!

Posted on

Never stand still.

Some months I feel as though I am on a treadmill set at high speed. Work, kids, puppies, exhibitions trade fairs. The downside of having six weeks off for the summer holidays is the mountain of work to come back to in September. I have spent most of this fortnight wading through paperwork, ferrying artwork from one exhibition to another, and figuring out logistics for forthcoming trade fairs and shows.

Our new Puppy, Jazz.
 

I actually haven’t painted anything for nearly three months, and so feel I’m probably going to be pretty rusty when I pick up the brushes again in October (after the Country Life Fair on the 28/29th September, no point even attempting to get started before that circus has finished!) They have been a fantastic job of publicising it, organising a very glamorous event at the Natural History Museum, which was attended by many artists in their finery! Do come and visit me, my stand is number 219.

Printmaking at SouthHill Park

As much I would like to stand still for a few moments, it is all too easy to get stuck in a work rut, and so to that end I have signed up for a printmaking course at the fabulous Southhill Park in Bracknell.

 

I have never really done any printmaking, and the equipment and range of techniques is bewildering for a complete beginner, particularly as I seem to have joined a very experienced class! The first session was absolutely absorbing and inspiring, and while I have hardly produced any masterpieces, it has been great fun, I’ve learnt a huge amount and realised just how much more I have to learn. These were my first two attempts – simple monoprints, working with etching ink onto acetate.