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Horses for courses

Equine Art

Summer is fading, and the kids are about to start back at school, including my youngest in her slightly too big pinafore and pristine white socks. I feel sad to see her go but it does mean I will now have five days a week to work, uninterrupted. Five days!! It’s been a long time since I had that. 
Horses have taken star billing this summer, kicking off with the Society of Equine Artists, who posted their selection at the end of July. I’m delighted that all three of mine got in, initallialy being exhibited at the Sally Mitchell Galleries and two were cherry picked to go onto the Osborne Studio Gallery in Knightsbridge for an exhibition of Equine art in September.

Espirito Gitano

Phaeton

The Midas Touch

I was hugely honoured to have the opportunity to go and photograph the “Golden Horse” Pearl of Peace at his yard, along with two other stallions. This extraordinary stallion is one of a kind, with an incredibly rare genetic combination that gives him his reflective, metallic gold colouring. He is still a youngster at three but such a character, and a real performer, clearly going to love the spotlight his life will entail! I am hoping to create a series of paintings from my time there, and will post progress on my FaceBook page.

Society of Wildlife Artists

I am currently framing “Monkey Business” in order to present it to the final selection for the society of wildlife Artists in mid September. I was pleased, and a bit surprised to have a piece accepted at the first round, as their emphasis seems to be heavily in favour of bird paintings, particularly those in a natural setting. Fingers crossed for the final round at the Mall Galleries!


So back to the grindstone in a few days, I’m looking forward to really getting my teeth into a new series, I feel as though I have been away from my studio for too long!

Video Games

I’m slowly getting to grips with making short videos, and the timelapse ones seem to be the most popular. Here’s a link to a recent painting of a dark grey arab.
YouTube video of Catherine painting

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Dog Days

Dogs, dogs, dogs….

I’ve had a back log of private commissions to do this summer, and somehow, once I got on a theme it carried on into the gallery work.
Up to Yorkshire to paint six of Jim Howard’s working collies, he was the English sheepdog trialling team last year, and I was so impressed watching his dogs work. A real treat to be in the spectacular Yorkshire countryside, have proper roast dinner with Jim’s mum (who runs Lane Farm cottages) And of course, drive a quad bike, with a sheep as side passenger – not something I’ve done for a while.

These labs were a little closer to home, but such distinct characters.

Then, to be honest I got a bit carried away, and started on some more unusual breeds, so not sure where I’m going to place the paintings, I don’t think they’ll appeal to my regular clientele!

Luckily I’ve been in talks with the lovely Victoria at the Stockbridge Gallery, who predominantly represents dog artists, and happily I am to be included in the ‘stable’, so all the recent dog paintings are going there at the end of month.

 
The House of Bruar is another recipient of this summers efforts, with around a dozen paintings framed, wrapped and ready to be shipped. A varied lot of stalking, grouse, some dogs, and the Hereford cattle, but it makes for a coherent body of work. I’m still looking for rare breed cattle to paint, if anyone has any sitting around chewing the cud…
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The Royal Fell Ponies at Balmoral

Presented to H.M. The Queen on 7th August

After six months work, the painting of Her Majesty’s Fell Ponies was finally presented at the Balmoral Jubilee Garden Party. By all accounts, she was pleased with it.

It was a privilege to be asked to do the commission and I only hope I have done them justice. The great Australian art critic, Robert Hughes, passed away recently and I was forwarded one of his acerbic quotes;

“The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.”

I am certainly not blessed with perfect confidence,  so can only hope that an amount of doubt is a good thing. Confidence is so crucial to an artist, I think the initial version of this painting was ruined by a loss of confidence, which translates to a lack of surety in handling of the oil paint, and a few hours of nervously dabbing at the canvas can wreck a months work.

Unfortunately the Highland cow painting has suffered this fate, and been consigned to the floor. However I got going on this one, and finished it over a few days. These lovely looking cattle also supply our local pub with superb steak!

The past couple of weeks have been unusually prolific for me, the release from the stress of the royal commission coupled with a backlog of ideas, and full time child care, means I’ve produced more this month than the first half of the year. Dogs, still life, sporting paintings, here’s a couple of examples.

As a post script – I have now mastered Twitter – and can be found @InglebyArt
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A week to go

A week to go before my painting is presented, it’s all framed and the plaque is finished. I’m beginning to feel quite nervous about it…

I’ve been working a lot recently (more child care) and have finished a couple of works. I found these wonderful natural canvas panels in the Jacksons Art catalogue, and am loving the finish, they lend a contemporary edge in the square format. In fact, liked them so much I’ve ordered a couple of metres of raw canvas so plan to make up some bigger sizes myself (the panels are quite limited  in sizes)

Still life

The first image is of a still life I set up in Scotland, in that glorious late evening light you only get north of the border. I stopped doing still life about 4 years ago, I’m not sure why, I think I had just got bored with them, but doing this one reminded me how much I enjoyed it and I have a second, more complicated composition already sketched out on canvas, which should hopefully get finished this month.

Ivy

I’ve been meaning to paint my own dogs for ages, though persuading Ivy to model took hours, and a lot of cheese. The result is great though, again on the square format natural canvas. I’m going to have a go at doing Whirly the poodle at some stage, although she doesn’t lend herself to painting with all that curly brown hair…..

Open studio

People often say they would love to come to the studio, but either don’t want to bother me, or don’t know when I’m working there (admittedly rather erratic hours!). So as of Wednesday 1st August I’m going to have an open studio morning every first Wednesday of the month, from 9am – 2 pm. Coffee and cake on offer!

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The worst kept secret…

For those that hadn’t already guessed, the painting I’ve been working on/impaling myself on my palette knife over, is for H.M. The Queen and is due to be presented at the Balmoral Garden Party in a couple of weeks. I will post an image of it after it’s presentation. Not that I think H.M. reads my blog, but if she does, I’d hate to spoil the suprise!
I’m really pleased with the final result, even though it took three gos to get there, with complete compositional rethinks each time. It’s just come back from Christina Leder, a fabulous Aladdins cave of gold frames, and is now en route to Scotland.

Works in progress
The Highland cattle painting is coming on slowly. It’s had a month on the floor, so was very dry, but a coat of retouch varnish and it’s now back on the easel; here’s an update after this weeks progress. I actually think I’ve lost a bit of the light in it, so that’s todays mission, then I’ll start on the background.

I’ve finally mastered the art of Twitter, so for more frequent (and random) updates, please follow me on @InglebyArt