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Aladdins Cave

Russell-Cotes Museum

Finding myself at a loose end over half term I booked myself and the kids into a hotel in Bournemouth for a couple of days. I wouldn’t really recommend the hotel but my main reason for being there was to visit the Russell Cotes house and gallery. It is fabulous, like the home of some wonderfully flamboyant old uncle, perhaps an immensely wealthy Monty for Withnail, who has stepped out and let you in for a wander. The house is a work of art in its own right, the couple of lived there clearly had no budget restraint and went to town, every room a homage to decorative arts. 

Russell-Cotes House
The central Hall, Hugh contemplating the morrocan influenced fountain, now bereft of goldfish.

Charles Walter Simpson

I was not familiar with this artist, but this huge  – 8 foot square – canvas is extraordinary, it’s such an incredible study of light and pattern. Looking through his body of work, he clearly was drawn to abstract light patterns, and his painting of seagulls in late evening light ‘Silver Wings’ is stunning. His paintings seem remarkably contemporary for his time.

The punt gunner by Charkes Walter Simpson 1924

Lucy Kemp Welch

Not one of my favourite artists as her subjects tend to be quite twee, but still recognised as being one of the great equine artists of the 20th century.

The Gypsy Horse Drovers 1895

 Maud Earl

I know Maud from her prolific dog portraits that adorn many a country house, but this is the first big painting I had seen of hers. A stunning composition, very unusual having cropped the deer in the foreground.

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 Henry William Banks Davis 

Sheep are such unappealing subjects to paint being lumpen shaped, idiotic and with very little expression (sorry sheep!) but here Henry Davis has made them magnificently noble and dramatic.

Approaching Thunderstorm in Picardy 1869

Munnings

Ah, Munnings, I don’t see any in the flesh for a while and fall out of love with his work. He’s a one trick pony, endlessly repeating the same composition, the paintings seem crude and slapdash. Then you see one and remember why he is so justifiably famous and revered. They are extraordinary in real life; the size, the fury of the application of the paint and the insane use of colour, yet you stand back and it all falls into a harmonious painting with an exquisite handling of flesh. 
Dod Shaw on Patrick 1912
Brushwork up close. Mental.

And the rest

We ended up spending four hours there. they have a fabulous cafe and programmes for children. This is the sort of place art should be viewed with none of the sterility of modern museums. It’s when you works like the one below that you realise this is how they were designed to be displayed, not on a white wall under harsh spotlights, look at that wallpaper!!I urge you to go and have a look, their website is pretty basic with little info but it is worth the trip. I saw paintings by Farquharson, Lavery, Landseer, Henry Moore, and many more. Here’s a few more photos – but the BBC ‘Your Paintings’ collection has a comprehensive catalogue

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BBC radio interview & Scotland

Easter in Aberdeenshire

My favourite tree
I’m up staying with parents in Aberdeenshire at the moment, in wall to wall to blue skies, wondering why we live anywhere else. (Conveniently forgetting the 6 month winter and periods of endless sleet & drizzle!)

House of Bruar

I called in at one of my galleries, the House of Bruar en route north, they have had a major revamp since I last visited, and met the very enthusiastic and capable new gallery manager. I dropped in some new work, had a browse through the existing exhibition, Bob Rudd‘s work particularly caught my eye. 

BBC Interview

I was whiling away some time on Twitter and the producer of a show on BBC Berks got in touch asking if I’d like to take part in Paul Miller’s evening show. They did a live interview with me, broadcast that evening. It was great fun to do, although I was very nervous beforehand. He threw me completely by asking if, in the context of collecting art, I had a couple of Turners in the bedroom? My married name being Turner I was momentarily foxed, there indeed being, at that point one Mr. Turner upstairs in the bedroom!
You can hear the interview by clicking on this link

https://www.bbc.co.uk/programmes/p02nn17h

Back to work

The view from my parents house. Extraordinarily special.
It was a great week away, I forget how drawn I am to Scotland and how much I miss it, so I am back in the studio, refreshed, recharged and ready to complete my series of jumping dogs. Now to find some more jumping dogs…
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drawing to a close…

The past year

Christmas is nearly upon us and I have been reflecting a bit on the past twelve months. 2014 has been a fantastic year here at Ingleby art HQ, Madeleine joined me early in the year and has been a godsend managing a lot of the areas I’m weak in (basically anything involving organisation or sitting at a computer..)
We have built up to a dozen galleries, and showed at around twenty exhibitions in the ten month period, with one more solo to come in the New Year. I have taken up printmaking once a week, which I’ve loved, well loved etching, not so much the other forms!


www.catherineingleby.com
Camel Etching

 

Inspiration from elsewhere

I’m being inundated with posts form various blogs I follow about reviewing your year as a business, and making plans for 2015. Some of these have brilliant tips, and I take great inspiration from them. www.makingamark.com and www.artbizblog.com are two of my favourites, and my old colleague Marc d’alessio also writes very well about life as painter – www.marcdalessio.com
As some light relief from all these worthy material I also follow www.cupcakesandcashmere.com which pretty much represents the polar opposite of my life, so is fascinating to peek into (and occasionally snigger at – cannot wait to see the havoc a new baby is going to wreak) I must stop accumulating pets though…


My studio mates – Ivy and new puppy Jazzy.

Plans for 2015

My plans for 2015 are going to include more of the gundog series, which has been very popular, a lot more wildlife, especially as we are planning a trip to South Africa in late 2015. I also want to build up the illustration business which goes from strength to strength (due to Madeleine!) We launched the new website and last month and have had steady sales
www.inglebyillustration.co.uk



www.inglebyillustration.co.uk
www.inglebyillustration.co.uk

The prints are also being snapped up very quickly, I am doing a set of 50 of the Tigers as canvas prints 70x70cm, and they are proving very popular. The print quality is so good I really can hardly tell the reproductions from the originals!

www.catherineingleby.com
www.catherineingleby.com

So, Happy Christmas to all, a huge thank you to all those who have supported me over this last year and looking forward to 2015!

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Dog Days

Dogs, dogs, dogs….

I’ve had a back log of private commissions to do this summer, and somehow, once I got on a theme it carried on into the gallery work.
Up to Yorkshire to paint six of Jim Howard’s working collies, he was the English sheepdog trialling team last year, and I was so impressed watching his dogs work. A real treat to be in the spectacular Yorkshire countryside, have proper roast dinner with Jim’s mum (who runs Lane Farm cottages) And of course, drive a quad bike, with a sheep as side passenger – not something I’ve done for a while.

These labs were a little closer to home, but such distinct characters.

Then, to be honest I got a bit carried away, and started on some more unusual breeds, so not sure where I’m going to place the paintings, I don’t think they’ll appeal to my regular clientele!

Luckily I’ve been in talks with the lovely Victoria at the Stockbridge Gallery, who predominantly represents dog artists, and happily I am to be included in the ‘stable’, so all the recent dog paintings are going there at the end of month.

 
The House of Bruar is another recipient of this summers efforts, with around a dozen paintings framed, wrapped and ready to be shipped. A varied lot of stalking, grouse, some dogs, and the Hereford cattle, but it makes for a coherent body of work. I’m still looking for rare breed cattle to paint, if anyone has any sitting around chewing the cud…
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The Royal Fell Ponies at Balmoral

Presented to H.M. The Queen on 7th August

After six months work, the painting of Her Majesty’s Fell Ponies was finally presented at the Balmoral Jubilee Garden Party. By all accounts, she was pleased with it.

It was a privilege to be asked to do the commission and I only hope I have done them justice. The great Australian art critic, Robert Hughes, passed away recently and I was forwarded one of his acerbic quotes;

“The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.”

I am certainly not blessed with perfect confidence,  so can only hope that an amount of doubt is a good thing. Confidence is so crucial to an artist, I think the initial version of this painting was ruined by a loss of confidence, which translates to a lack of surety in handling of the oil paint, and a few hours of nervously dabbing at the canvas can wreck a months work.

Unfortunately the Highland cow painting has suffered this fate, and been consigned to the floor. However I got going on this one, and finished it over a few days. These lovely looking cattle also supply our local pub with superb steak!

The past couple of weeks have been unusually prolific for me, the release from the stress of the royal commission coupled with a backlog of ideas, and full time child care, means I’ve produced more this month than the first half of the year. Dogs, still life, sporting paintings, here’s a couple of examples.

As a post script – I have now mastered Twitter – and can be found @InglebyArt
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The worst kept secret…

For those that hadn’t already guessed, the painting I’ve been working on/impaling myself on my palette knife over, is for H.M. The Queen and is due to be presented at the Balmoral Garden Party in a couple of weeks. I will post an image of it after it’s presentation. Not that I think H.M. reads my blog, but if she does, I’d hate to spoil the suprise!
I’m really pleased with the final result, even though it took three gos to get there, with complete compositional rethinks each time. It’s just come back from Christina Leder, a fabulous Aladdins cave of gold frames, and is now en route to Scotland.

Works in progress
The Highland cattle painting is coming on slowly. It’s had a month on the floor, so was very dry, but a coat of retouch varnish and it’s now back on the easel; here’s an update after this weeks progress. I actually think I’ve lost a bit of the light in it, so that’s todays mission, then I’ll start on the background.

I’ve finally mastered the art of Twitter, so for more frequent (and random) updates, please follow me on @InglebyArt

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New Work

Another Labrador!

Lovely big dog, who had a weird habit of ‘grinning’, cute in real life but looks like an alarming snarl in photos – I choose a more traditional pose. Another commission for two more labs has just come in, plus the big painting of a half dozen collies that I have to fit in at some stage this summer.

Jubilee commission
IS FINISHED. Thank God. There have been many stops and starts, and a fair amount of sleepless nights, but finally it worked and is on it’s way to the fabulous Christina Leder for framing. She works in an extraordinary studio, a shed on stilts under a railway arch in Parsons Green, but makes exquisite frames. It’s going to be presented in August, and I’ll update the blog with photos then. I’m afraid it has to be kept under wraps untill then.

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Shepherd linocut

Shepherd

I love this wistful old fashioned image of a shepherd, his dog, and some feisty sheep. This lino cut was based on some photos taken in Scotland, of Angus, the gamekeeper, shooing away some sheep, with his none too helpful Labrador.
I’ve painted Angus before, a few years ago now, he has a well lived in face.

After many frustrating hours, I bought a book on lino cutting, and had a bit of light bulb moment – less ‘eureka’ and more ‘DUH!’ So that’s how you do it. Multiple plate lino cuts to follow (ie: more than one colour, as the plate for each colour has to be carved on a separate plate.) This one of angus is a cheats version, as I’ve just filled in the colour digitally, but in my next spare moment I’m going to carve a couple of colour plates for it.

Gus & Torro

I finished this painting for my brother, as a gift for him and his new wife, Karen. The dogs, Gus and Torro, were fantastic to paint, such characters, and such a great contrast between them, Gus is wonderfully elegant, and mannered, and Torro, well, Torro is not. Can you tell which is which?!

The commission for June is taking shape, I have a rough composition in charcoal down on paper, and it is throwing up quite a few challenges.

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Highland Photos

A very productive weekend in Scotland, taking photos of some fantastic Highland Cattle, and for another commission, which will be revealed later in the year.

Very exciting, one of the real privileges of being an artist is that it grants you access to places and people that one would otherwise never meet. It really struck me this weekend how lucky I am to be aided by people who have such a passion for their work and animals, and who are happy to give up their time to help me. I learnt A LOT about Highland cattle and Highland ponies this weekend (maybe even more than necessary!) and was blessed with the most spectacular weather in the Highlands, heavy frost with glorious bright sunshine, creating a Narnia like landscape.

Thanks to all those that helped, with the animals, driving, childcare and so on. Best of all – no broken limbs this time around!