The perfect presents for men, those who ‘have everything’ or a just hard to find presents for. I have a selection of prints available to buy on my website, starting from £45. We can produce them on their own, mounted or framed. I also now offer bespoke canvas prints, in any proportional size up to a maximum width of 3 metres, which fills a LOT of wall space (but probably won’t fit in a stocking!) Please contact me on email@example.com for pricing.
All the Giclée prints are produced using lightfast ink on acid free 360gsm art paper, individually signed and numbered. Each edition is a run of 250. They take around ten days to produce and frame, although possibly longer as we get very busy in the run up to Christmas. The order deadline is the 12th of December, after we cannot guarantee production & delivery in time for Christmas day.
For those who cannot choose between the prints I have also produced gift vouchers. These are embossed, and gilded, and make a wonderful present to give to someone to redeem the blue of your choice against originals artwork, prints or commissions.
|The Bell Inn – Cecil Aldin|
|Etching – after Cecil Aldin|
|The Bell Inn, WSL|
Cecil Aldin is really blame for my current dogs – I saw this sketch many years ago, and decided there and then that when I had spaniels, they would look like the one in the sketch, despite never having seen a roan and tan cocker before. It took a few years, but now I have Ivy and Jazzy below, who are much loved for all the chaos and fun they bring to our lives.
Easier said then done in this weather but I have managed to get a surprising amount done this month, and am pleased with my first equine work for a while. It’s a large piece 36×30″ which reminded me how much I enjoy working on this scale. No title as yet, so ideas welcome!
Some months I feel as though I am on a treadmill set at high speed. Work, kids, puppies, exhibitions trade fairs. The downside of having six weeks off for the summer holidays is the mountain of work to come back to in September. I have spent most of this fortnight wading through paperwork, ferrying artwork from one exhibition to another, and figuring out logistics for forthcoming trade fairs and shows.
|Our new Puppy, Jazz.
I actually haven’t painted anything for nearly three months, and so feel I’m probably going to be pretty rusty when I pick up the brushes again in October (after the Country Life Fair on the 28/29th September, no point even attempting to get started before that circus has finished!) They have been a fantastic job of publicising it, organising a very glamorous event at the Natural History Museum, which was attended by many artists in their finery! Do come and visit me, my stand is number 219.
As much I would like to stand still for a few moments, it is all too easy to get stuck in a work rut, and so to that end I have signed up for a printmaking course at the fabulous Southhill Park in Bracknell.
I have never really done any printmaking, and the equipment and range of techniques is bewildering for a complete beginner, particularly as I seem to have joined a very experienced class! The first session was absolutely absorbing and inspiring, and while I have hardly produced any masterpieces, it has been great fun, I’ve learnt a huge amount and realised just how much more I have to learn. These were my first two attempts – simple monoprints, working with etching ink onto acetate.
The summer seems to have flashed by, a blur of road trips, camping and holidays en famille. I love travelling, as I find a change of scene can often light the spark of inspiration and can be the catalyst for a whole new series of paintings. Such a thing happened on our recent trip to Paimpol in France, it was the most stunning town, crammed with surprisingly good galleries, artist and artisans.
I fell in love with the work by this sculptor Jean Francois Gambino
It was a pleasure to see so much craft, colour and talent in the myriad of small shops. These glass blowers were exceptional, I could easily have spent my annual profits in their shop, which doubled as their studio, so we could watch the glass blowers at work. Verr-Glass, Paimpol
Even the sardine tin arranger had an eye for colour and display!
The thing that fired me up though was a trip to a small, slightly dishevelled circus. Whether one agrees with animals performing or not there is something very magical about being in a tent, mere inches away from a tigers tail. The children were transfixed, absolutely mesmerised throughout the two hour show. I was inspired. I am not going to include wild animals in paintings, but I would very much like to do a circus series of performing horses and dogs, so watch this space.
September is shaping up to be an insanely busy month, with one or two projects opening every week. The show in Essex at the Aubrey Gallery opens this Friday so do please visit if you are in the region. I am also pleased to say that the David Shepherd Wildlife Fund is now representing me and my prints can be bought through their website, or their gorgeous gallery in Guildford, Surrey.
I am attending the private view of the Society of Equestrian Artists at the Mall Galleries, London tomorrow night, where my charcoal work, “Brace for Landing” has been hung.
The Country Life Fair in Fulham Palace on the 27/28th September is taking up most of my waking hours, although I think we are pretty much prepared for it. They are hosting the most incredible drinks reception & ball on the 10th of September in the Natural History Museum for which tickets are still available.
So, the children go back to school on Wednesday and I go back to the studio, I have several British native mammal works planned out, which will hopefully be ready for the Country Life Fair. Please see my InglebyArt Facebook page for daily updates, or follow me on Twitter @InglebyArt
I’ve been asked recently, a few times, to have students or young teenagers for work experience. This is always as much of an experience for me as I imagine it is for them, as I see my younger self reflected in their faces, and their dreams. I wonder if I had spent any serious time with an artist in my teens whether I would have taken fright at the path I was choosing!
I didn’t stumble into being an artist, it is what I wanted to do from a very young age. I knew, with out doubt, that there was no other path that would give me the same satisfaction and happiness. That is not to say it was a choice without hurdles, my art foundation year at E.C.V. in Paris was at an art school largely geared towards graphic design and advertising, and I saw that this would be a more lucrative path. Luckily, I was hopeless at graphic design, and remained on my road. I then studied at Durham University, and watched my peers go on to quickly earn decent salaries in the city, and buy houses. I wondered if I should maybe get the ‘proper job’ that my mother kept hinting at. A brief detour into portraiture taught me a huge amount (the main lesson being that I was not a portrait artist).
|‘Ivy Leaping’ Oil on canvas|
I think, it was clear in my head that I was unable ‘not’ to be an artist, that being prevented from painting and drawing makes me unhappy and frustrated. I constantly have ideas and plans buzzing around in my brain, I see inspiration in the every day routine of life, be it winter light though the hedge on the school run or watching a wildlife programme on late night TV.
I realise I am fortunate to have known what I wanted to do, and to have had the support to achieve it, but it is both a blessing and a curse. People often say to me ‘Why don’t you paint such and such?’ or ‘Why don’t you draw only charcoals?’ The answer is that I can’t. I have to stay to true to what I want to paint, to my vision as an artist. If I try to paint to please other people I feel I end up pleasing no one, and in the end my art deteriorates.
|‘Blaze of Glory’ Charcoal on paper|
One of the bloggers I read regularly, Making a Mark by Katherine Tyrell, posted this great link to the 2103 BP Portrait winner Susanne du Toit’s Top Ten Tips for being an artist. They resonate with me, and I think I will pass them onto the work experience students.
The other piece of advice that I read somewhere recently was “Learn to live on less” and it struck a chord. Most artists will never earn a fortune, or get serious recognition, but they will be an artist, and that is reward in itself.
|‘Up, up and away’. Charcoal on paper|
I spent most of January shivering in my very damp studio struggling with artists block. Always an artists worst nightmare, exacerbated by the thought of nothing to show in June for the exhibition. I started having nightmares about standing in the gallery, with a crowd of people looking at blank walls, and then at me…
However, luckily it passed, I had produced several very average paintings (all of which have since been scrapped) then one good charcoal and is so often is the case once I get on a roll I start producing plenty of work that I’m pleased with.
|Black & Tango|
Oil and Water Gallery, Wandsworth
A very successful run of private views at the newly launched Oil & Water Gallery in Wandworth. The paintings held their own on the walls, surrounded by several other stunning paintings from a variety of artists.
|340, Old York Road SW18 1SS|
It’s been fantastic to be involved with a gallery from its set up. The amount of work and expense that goes into the setting up is staggering. Galleries have an enormously important role to play in the art world, bridging the gap between artists and clients, and while the Internet may have made artists far more directly accessible nothing makes life easier for an artist than a good agent or gallery owner. I do think galleries need to become far more interactive spaces, as the book selling trade has cottoned onto so well, holding literary festivals, author led evenings, book signing events etc. the art world has made a start, but there is still a long way to go. With this in mind, Oil & Water are holding a ‘meet the artist’ night on the 14th November, please contact the gallery if you’d like to attend.
I sold various paintings over the private views, the jumping dogs were enormously popular, and the battle for the charcoal of Ivy was won by a friend of mine. Lovely to know where a painting will end up. I’m now back in the studio and will be definitely be exploring the theme of the jumping dogs further, I have several charcoals and oils planned, the pressure is now on for the solo exhibition in June!
|Lion Leaping – Sold|
I’m now looking towards the Christmas countdown, always my busiest time. Burford Gardens have sold out of the chicken prints and so need more stock, plus they’d like a drawing of a “Burford Brown” hen. So that’s in the pipeline, and the usual rush of Christmas commissions are beginning to roll in.
The Wandsworth gallery is holding a limited edition prints show in the run up to Christmas, so I’m busy framing and mounting for that.
I’ve been taken on by OIL AND WATER GALLERY in Wandsworth, London. A stunning new gallery, with an eclectic mix of artists. I’m involved in a mixed exhibition which opens on the 10th of October. I have also committed to doing a solo with them next year, in June.
|‘Lioness leaping’ Oil on canvas|
I am enormously excited but, as for any artist, it is also becomes a time of huge pressure; ‘Will I have enough works?’, ‘Will enough sell?’, ‘Is ochre a crazy colour to paint the kitchen?’ Decorating as an artist is treacherous, I’m too addicted to colour to go fashionably neutral.
I’m feeling reasonably prepared, and am just finishing off the frames. Although, I have a feeling I will be far less relaxed as the solo exhibition deadlines draw near.
|‘Ivy’ Charcoal on paper|
These are couple of examples of work I will be showing, alongside a selection from 8 other artists. I’m pleased with my body of work, it’s a small selection from the result of a years hard graft since I went back full time after a longer than planned maternity break. (6 months off – Ha! So naive….) I have tried to develop a more distinctive, modern approach to the traditional sporting genre, and so I hope others feel that is has been successful.
The opening night is the 10th of October, please email me: firstname.lastname@example.org if you would like an invite.
Dogs, dogs, dogs….
I’ve had a back log of private commissions to do this summer, and somehow, once I got on a theme it carried on into the gallery work.
Up to Yorkshire to paint six of Jim Howard’s working collies, he was the English sheepdog trialling team last year, and I was so impressed watching his dogs work. A real treat to be in the spectacular Yorkshire countryside, have proper roast dinner with Jim’s mum (who runs Lane Farm cottages) And of course, drive a quad bike, with a sheep as side passenger – not something I’ve done for a while.
These labs were a little closer to home, but such distinct characters.
Then, to be honest I got a bit carried away, and started on some more unusual breeds, so not sure where I’m going to place the paintings, I don’t think they’ll appeal to my regular clientele!
Luckily I’ve been in talks with the lovely Victoria at the Stockbridge Gallery, who predominantly represents dog artists, and happily I am to be included in the ‘stable’, so all the recent dog paintings are going there at the end of month.
After six months work, the painting of Her Majesty’s Fell Ponies was finally presented at the Balmoral Jubilee Garden Party. By all accounts, she was pleased with it.
It was a privilege to be asked to do the commission and I only hope I have done them justice. The great Australian art critic, Robert Hughes, passed away recently and I was forwarded one of his acerbic quotes;
“The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.”
I am certainly not blessed with perfect confidence, so can only hope that an amount of doubt is a good thing. Confidence is so crucial to an artist, I think the initial version of this painting was ruined by a loss of confidence, which translates to a lack of surety in handling of the oil paint, and a few hours of nervously dabbing at the canvas can wreck a months work.
Unfortunately the Highland cow painting has suffered this fate, and been consigned to the floor. However I got going on this one, and finished it over a few days. These lovely looking cattle also supply our local pub with superb steak!
The past couple of weeks have been unusually prolific for me, the release from the stress of the royal commission coupled with a backlog of ideas, and full time child care, means I’ve produced more this month than the first half of the year. Dogs, still life, sporting paintings, here’s a couple of examples.
A week to go before my painting is presented, it’s all framed and the plaque is finished. I’m beginning to feel quite nervous about it…
I’ve been working a lot recently (more child care) and have finished a couple of works. I found these wonderful natural canvas panels in the Jacksons Art catalogue, and am loving the finish, they lend a contemporary edge in the square format. In fact, liked them so much I’ve ordered a couple of metres of raw canvas so plan to make up some bigger sizes myself (the panels are quite limited in sizes)
The first image is of a still life I set up in Scotland, in that glorious late evening light you only get north of the border. I stopped doing still life about 4 years ago, I’m not sure why, I think I had just got bored with them, but doing this one reminded me how much I enjoyed it and I have a second, more complicated composition already sketched out on canvas, which should hopefully get finished this month.
I’ve been meaning to paint my own dogs for ages, though persuading Ivy to model took hours, and a lot of cheese. The result is great though, again on the square format natural canvas. I’m going to have a go at doing Whirly the poodle at some stage, although she doesn’t lend herself to painting with all that curly brown hair…..
People often say they would love to come to the studio, but either don’t want to bother me, or don’t know when I’m working there (admittedly rather erratic hours!). So as of Wednesday 1st August I’m going to have an open studio morning every first Wednesday of the month, from 9am – 2 pm. Coffee and cake on offer!
For those that hadn’t already guessed, the painting I’ve been working on/impaling myself on my palette knife over, is for H.M. The Queen and is due to be presented at the Balmoral Garden Party in a couple of weeks. I will post an image of it after it’s presentation. Not that I think H.M. reads my blog, but if she does, I’d hate to spoil the suprise!
I’m really pleased with the final result, even though it took three gos to get there, with complete compositional rethinks each time. It’s just come back from Christina Leder, a fabulous Aladdins cave of gold frames, and is now en route to Scotland.
Works in progress
The Highland cattle painting is coming on slowly. It’s had a month on the floor, so was very dry, but a coat of retouch varnish and it’s now back on the easel; here’s an update after this weeks progress. I actually think I’ve lost a bit of the light in it, so that’s todays mission, then I’ll start on the background.
I’ve finally mastered the art of Twitter, so for more frequent (and random) updates, please follow me on @InglebyArt
Lovely big dog, who had a weird habit of ‘grinning’, cute in real life but looks like an alarming snarl in photos – I choose a more traditional pose. Another commission for two more labs has just come in, plus the big painting of a half dozen collies that I have to fit in at some stage this summer.
IS FINISHED. Thank God. There have been many stops and starts, and a fair amount of sleepless nights, but finally it worked and is on it’s way to the fabulous Christina Leder for framing. She works in an extraordinary studio, a shed on stilts under a railway arch in Parsons Green, but makes exquisite frames. It’s going to be presented in August, and I’ll update the blog with photos then. I’m afraid it has to be kept under wraps untill then.