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Painting not panicking.

The Night Prowler
 I’m at home, looking at my newly blank diary for the next three months; abandoned shows, cancelled contracts, delayed commissions.
It is worrying but I am trying to view it as an opportunity for me to get into the studio and really get to work on creating some new paintings. 
The two new paintings I am launching here are the culmination of many months work, I hope you enjoy them, and that they provide some light relief from the watching the news… I plan to do an accompanying piece to the The Night Prowler, McCaw parrots I think. I will of course have the children off school, but here’s hoping we all settle down to a creative routine! (Wishful thinking?!)

The Night Prowler came from a concept sketch I produced for a couture design studio who wanted to produce a jungle print on silk. In the end the project didn’t come off but I wanted to develop the sketch and after some time studying tropical foliage at Kew, and securing some reference images for jaguars I finally came up with two planned compositions. I’ve loved creating the more atmospheric background, and this is definitely an area I want to explore further. 

The Sable of Fables I heard rumours of the Giant Sable antelope while I was last in Africa, but really so few have ever seem them. The tiny population inhabit a small territory deep in Angola, and this sub species was thought to be wiped out in the Angolan Wars. They are enormous, magnificent antelope, the bulls horns can curve nearly two metres over their backs. There is now a dedicated team working for their conservation, and a percentage of profit from the sale of this original, or prints will go towards supporting their efforts. 
The Sable of Fables 150x100cm
So, dear readers, artists and galleries, if you’ve got this far down the page – please look after yourselves, and your families, and I am sending you all the love and strength I can. It’s going to be a testing few months for us all, I just hope that from the enforced quiet time I can at least create something worthwhile. 
If any of you are artists, and would like help, advice or for feedback on projects, please don’t hesitate to get in touch here. There are some incredibly inspiring projects, ideas and community art sessions springing up on social media. I will definitely be taking part in a few of them. 
In other news…I’ve started doing a few portraits recently , and am really enjoying it after a fifteen year break! Read more here »
My other plan for the next few weeks is to get my long neglected YouTube channel up and running again. This link will take you to a time lapse of me painting a still life for the first time in about decade. A lot more practice needed, but I think I should have some spare time now! There are a few videos up there already and I will load lots more from the archives over the next few weeks. 
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David Shepherd and Pre exhibition nerves.

Perhaps it wasn’t the greatest of timing that the David Shepherd Wildlife Artist of the Year and my solo show at Oil & Water opened within ten days of each other. I’m sitting in bed, on a glorious June dawn, having woken early, and having a cup of tea, trying not to worry about tonight, the opening night.


www.catherineingleby.com
Kick up your heels by Catherine Ingleby

David Shepherd Wildlife Artist of the Year.

I was very flattered to have been included in the well publicised teaser catalogue, and despite the hassles of wrestling two such enormous pictures into London, seeing them hung, in amongst such a strong body of wildlife art, was immensely rewarding.


https://shop.davidshepherd.org/list.php?search[exhib]=way14ex&search[event]=8&max_perpage=9999&from_event=8
Winged Messenger of Death bu Christine Lambeth

The evening itself was great fun, I managed to nab a photo with the man himself, and although I didn’t win the ten thousand pound cheque, it was good to catch up with so many friends, and meet some new faces.

Myself and David Shepherd, in front of my two charcoals.

It was HOT in the mall galleries though, boy, do they need to invest in some air conditioning!


https://shop.davidshepherd.org/list.php?search[exhib]=way14ex&search[event]=8&max_perpage=9999&from_event=8
Moon Bear with Butterflies by Susie Marsh
 

I was particularly taken with some of the sculptures, there was such a variety, and I could have taken every one home. A sculpture by this French artist win the main prize. Deservedly so.



Transparence - Rhino
Transperence – Rhino by Pascal Cheasneau
Some of the works were so much more impressive in real life, when they had been a little underwhelming online. This rook was stunning.
https://shop.davidshepherd.org/list.php?search[exhib]=way14ex&search[event]=8&max_perpage=9999&from_event=8
Rook by Susie Dafforn
Monochrome Category Winner
 

Pre Solo Exhibition

Catalogue is printed, the work delivered, the walls are hung. Tonight is the private view, and I’m trying to gather myself a bit before the day starts.

Ready to go!

I enjoy these evenings, but  I feel a large pressure to sell well this evening, and they can feel like a marathon interview, chatting to potential clients, and explaining the work time and again. I am pleased with the body of work, I truly found it a pleasure to paint, and seemed to come, by and large, with ease to me. I hope that is reflected in the art, a friend made a lovely comment “It looks as though the artist has found joy in the process of painting it” which couldn’t be more accurate.
Let’s just hope the clients find enough joy to reach into their wallets!


www.catherineingleby.com
Burning Bright by Catherine Ingleby



www.catherineingleby.com
Ivy, my spaniel, with a scuplture by Rosemary Cook
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David Shepherd and Longleat.

Both works accepted into David Shepherd Wildlife Artist of the Year

It’s a great moment when you open that long awaited email to find it starts with ‘Congratulations’. I’m delighted to say that not just one, but both works were accepted into the David Shepherd Wildlife Artist of the Year which will run from the 3rd-7th June in the Mall Galleries, London. It is an exhibition well worth visiting as it always beautifully hung, and represents the top working wildlife artists both in the UK and abroad.

Bison – charcoal on paper

The other bonus of selection into these competitions is the chance to catch up with so many colleagues at once. Painting, unless you’re based in a shared studio complex, is essentially a very solitary career, so the opportunity to attend a large gathering of artists is always a real treat. I know  Karen Laurence-Rowe has been accepted, and look forward to meeting her. I’m also pleased to see that Davina Bosanquet has asked to be one of the guest artists, after winning her category two years running. It’s the week before my solo exhibition opens with Oil & Water in London, so June will be a busy month!

Longleat

I was immensely honoured to be given access to the animals at Longleat Safari Park last week, going out with a keeper to see them being fed, and took many hundreds of photos. The staff there could not have been more accommodating, and their knowledge and understanding of their animals was extraordinary. I manage to obtain enough source material to keep me going for many months.

 



Tiger, Longleat

I have always wanted to do more wildlife painting, but have struggled to find animals to work from, normal zoo exhibits are either asleep or look so bored and spending several weeks a year photographing them in Africa isn’t really an option with two small children. The Longleat animals, in their vast acreage of paddocks, were incredibly fit, and very lively! A huge thanks to everyone who enabled my trip.

 

Male lion, Longleat